C.A. Simonson is a freelance writer and author of eight novels and seven nonfiction books. Her award-winning short stories have appeared in seven anthologies. Close to 800 informational articles, human interest stories, content pieces, and DIY articles have been published in national print and online magazines, periodicals, and newsletters. Her books are available in paperback, digital, and audio format on Amazon, KOBO, iTunes, Barnes and Noble, and audible.com or at casimonson.com.
With her love of writing and skills as a former IT help desk/trainer, she assists other aspiring authors with editing, formatting, and self-publication. C.A. Simonson lives in the Ozarks of Missouri.
Each year, the Christian County Library in Nixa presents an Author Expo Day featuring local authors. Many of the Springfield Writers’ Guild members attended and showcased their books.
Shown l-r:
Susan Keene, Sharon Kizziah-Holmes, Paula Moore, Michelle Underwood, JJ Renek, LaDonna Greiner, Linda Harper, Jan Bailey, Jaime Cole, Shirley McCann, Chuck Robertson, Lynn Combs.
2023 was the 80th anniversary of the Springfield Writers Guild. What an amazing feat for a writers’ group to carry on that many years! We’ve gone through many presidents and interesting times. (See the history to read more).
Pitching a story or article to a magazine or blog site is the same as writing a query letter. There are necessary steps to recognize in order to get your piece first accepted, then approved, and finally published.
1. Read the magazine or blog before you submit a pitch
Are you familiar with the magazine or blog? Have you read their publications? Familiarize yourself with the magazine, and then read its guidelines explicitly. Follow them to the letter. You wouldn’t send an informational article on how to raise garlic to a girl’s magazine, nor would you send an animal story to a sports blog. Know who you are pitching to.
2. Research: Has the story been done recently?
Google your idea for a story. Has the same idea been published elsewhere in the same magazine or one close to it? Choose a different focus or angle and rewrite it with a fresh look.
3. Send point of view
Editors want to know what you’re going to write about when you pitch a story. What is your point of view on this topic? Be careful of querying in generalizations, i.e., “I want to write an article about gardening.” You want to have a narrative with a well-developed idea. Tell instead an interesting point about gardening and why people would be interested.
4. Be specific
Be very specific in your pitch. If your article is about gardening, point out where you live and your personal experience. Pick a subtopic, such as unique gardening tools or exotic flowers and how it relates to you. Magazines like the personal touch; it helps the reader relate and understand.
5. Tell why you are qualified to write this piece
Do you have educational background on the topic, or is it something you have experience with? Have you written for other magazines or blogs? If so, link to your website or put in a link to clips of stories or articles. These are your credits and proof of your qualifications. (Read the guidelines. Some want attachments, others only want links).
6. If submitting recipes…
If you are submitting a recipe, is it your own creation? Have you published original recipes for publications before, or are you a working chef or cookbook writer? Tell them. Recipes must be credible — tested and re-tested. Make sure all the ingredients are correct.
7. Direct your pitch to the right place
Many magazines have a general submission email. However, if the magazine has specialty columns or pages, pitch directly to them. If an editor is mentioned, include their name in the email. Again, know the magazine you are pitching to. It will help in the long run.
8. Submit and Forget
Magazines get a lot of pitches, and sometimes, emails get lost or buried. The best policy is to submit and then forget about it. It may take several months before you are notified – and that’s if they like your pitch. If they decide to offer you an assignment of the article or story, you may hear sooner. I have heard from a magazine in the same day (unusual and unique). Others have taken up to a year to respond (if they do at all). If you don’t hear from them within three months, it’s safe to assume you can send your article to a different magazine. Keep submitting and forgetting, and don’t give up. You will find your niche and learn more as you keep on pitching your work.
Most writers love what they write and love to read it again and again. But let’s face it, there are times when even your own words fall short and leave you feeling blah. If it’s not even worth your time to read, who else will want to?
A good writer grabs their readers and makes them hang on until the end – either gripping the edge of their seat or panting all the way. How do you do that?
12 Tips to Make Your Story Worth Reading
1 – Grammar, punctuation, and spelling are #1. This should go without saying. These elements are important in writing a good story. You are a writer. Prove it with good grammar, punctuation, and spelling. Don’t expect your editor to catch all your mistakes. Spellcheck will get ‘some’ typos, but not all. Grammarly.com is a helpful online tool to catch a good crop of grammar errors. There are many writing aids to choose from. ProWriterAide and MS Editor also work well. A flawless story will go much further to gain credibility.
2 – Use nouns that invoke an image. Can your readers envision your words? Choose nouns carefully. Show; don’t tell. Instead of telling about a wrestler’s battle – (The wrestler picked up his opponent and threw him to the floor). Use imagery. Think about what it would look like, and then describe it so the reader can see it. (His 142 pounds of sinew hurled his opponent’s large frame onto his back, and then with an inhuman roar, lunged him into mid-air). (Get the picture)?
3 – Avoid gerunds and passive verbs. Use action verbs instead. Let your computer do the work for you. Do a search and replace (Ctrl+F on a PC) for ‘ing.’ Find out how often you’ve used the words were, is, or was with verbs (was doing, is going, were thinking). Limit the use of passive words and opt for action verbs. Every verb should set off a sequence of actions. Often, simply changing the verb to present or past tense makes it active. Example: change she was dancing lightly to she flitted.
4 – Watch adverbs and adjectives. Do a find and replace for ‘ly’ words. An editor once said, “the use of adverbs is the lazy writer’s way.” Search for a descriptive verb. Instead of ‘quickly ran’ – used sprinted or jogged. Replace adjectives with nouns that paint a picture. Allow the reader to see the image in their mind. Example: Instead of telling about a wrinkly old man, try his face, aged like warm tanned leather, wrinkled along happy laugh lines when he smiled.
5 – OH-OH! Pleonasms! Pleonasms are extraneous words that one writer calls her ‘dust bunnies.’ They crop up everywhere if you’re not careful. Do a search and replace (Ctrl+H) for words such as that, just, and very. Most of the time, they are unnecessary to the meaning of your sentence. Look for verbs like came over, jumped up or sat down. The second word is a pleonasm and can be removed.
Pleonasms are extraneous words that one writer calls her ‘dust bunnies.’ If you’re not careful, they’ll crop up everywhere.
6 – Beware of pretentious words. Sometimes a simple word will do better than using a fancy word. It is advisable to write on a 4th-5th grade level. The use of ‘big words’ may be confusing and turn the reader away instead of impressing them.
7 – Use long and short sentences. This is the “heartbeat” of your story—the rhythm. Be careful of bogging the reader down with many long-involved sentences. Speed action and emotion with short and snappy sentences. Interspersing long and short sentences will make your story readable and interesting.
8 – Avoid data dumps. Instead, add dialog and thoughts. Dialog pulls the reader into the characters’ heads and makes your story interactive. Dialog always shows action. Lots of telling (narrative) can get boring fast. Adding description is also easier through dialog.
9 – Go easy on taglines. Many writers overuse the “he said, she said,” or embellish the tagline with a dramatic verb such as “she whined” or “he exploded.” Instead of the tagline, simply use the action. Dialog done well should make it apparent who is speaking. Example: Instead of “he exploded,” write, “It isn’t right. I deserved that job.” The papers flew as Frank pounded his fist hard upon the table. It produces a picture of his anger without telling it.
10 – Watch Point of View (POV). It’s best to keep only one point of view in each chapter or story. If you jump around in other characters’ heads (their points of view), then it becomes confusing to the reader. If your character cannot see it, feel it, do it, then don’t write it. (The exception is if there’s a narrator telling the story).
11 – Make your reader love the protagonist (main character). Readers want to relate to whom they’re reading about. Give them someone to adore. Your main character needs a few flaws to make them human and a couple of failures along the way. This allows the reader to root for them and fall in love.
12 – Add specifics. Pull your reader in with details and descriptions. Give them something they can relate to, but be careful of adding too many. Again, avoid the ‘data dump’ of information. Weave the details and descriptions into the story as you tell it.
With these twelve tips, you’re off to a great start in improving your writing, whether in a story, an article, or a novel. Write what you know, drip your passion through your fingertips (or pen), and watch your readership grow!
C.A. Simonson has served on the SWG Board for ten years and is currently the Vice-President. She has authored six novels, two children’s activity books, and four other nonfiction books (See more at casimonson.com). Her award-winning short stories have been published in seven anthologies and won prizes in writing contests. She has also written over 400 articles and content writing for magazines, blogs, and the internet.
Do your characters write your story, or do you? Who’s in charge? Pantsing or plotting – which works best?
Do Your Characters Write Your Story?
Some writers hate to plot saying they would rather discover the adventures along the way. I can agree to that to a point. I may not have the whole story in my head, but there’s a certain idea of how I want the story to go. But like most writers, once I start writing, the characters have a way of taking over – and that’s where the fun begins! Continue reading Pantser or Plotter?→